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Monthly Archives: February 2014
VanGogh – I want to have you on my phone!
Today I visited the Philadelphia Museum of Art to see the photography exhibit by Michael Snow, which I will review soon. Afterwards I sat down in front of van Gogh’s painting of sunflowers, but the funny thing was that everyone … Continue reading →
Posted in Digital Photography, Photographic Technology
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Tagged Douglas Barkey, Philadelphia Museum of Art, sunflowers, VanGogh
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2014 Sony World Photography Awards – shortlist reviews
There were over 140,000 entries to the 2014 Sony World Photography Awards, so it is a comprehensive world survey of what is going on in photography today and close to a miracle to make the shortlist for the competition! I’ve … Continue reading →
Posted in Creativity and Photography, Digital Photography, Landscape Photography, Photo Criticism, Photography, Uncategorized
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Tagged digital photography, Douglas Barkey, fine art photography, Fotonotes, Glenna Gordon, Hao Li, Israel, landscape photography, Palestine, photography and culture, politics, Roei Greenberg, Sony World Photography Awards
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Kenneth Josephson exhibit
Kenneth Josephson exhibit Here’s a short synopsis by one of our photography professors on Kenneth Josephson’s conceptual photographs that everyone will enjoy!
From 40 plates to 6 billion files – the scale of photography in a digital age
In November, 2011, I wrote a short piece on Managing the ImageĀ – Sorting through the Catalog that explored some of the key differences for prolific digital photographers between managing an image archive of digital photographs and silver-based negatives. I was … Continue reading →
Larry Cook and Annette Isham at The Hamiltonian Gallery, Washington D.C.
Although “Woman and Landscape” and “From an Eighth to a Key” occupy the same exhibit space at The Hamiltonian Gallery, each artist addresses different themes with distinct approaches and media – these are separate exhibits installed apart in the same … Continue reading →
Posted in Creativity and Photography, Fine Art Photography, Photo Criticism, Photographic Technology, Photography, Uncategorized
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Tagged Annette Isham, Douglas Barkey, fine art photography, human ecology, identity, landscape, Larry Cook, montage, photography, photography and culture, photography criticism, Race, The Hamiltonian Gallery, video art, Virginia, Washington DC
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