Monthly Archives: March 2014

Michael Snow – Part II – Sequence and Time

Posted on March 23, 2014 by Douglas Barkey

The Michael Snow Photo-Centric exhibit at the Philadelphia Museum of Art  (available for viewing until April 27, 2014) is a retrospective collection of many of his images that explore the meaning of sequence and time. This post continues an essay on the Snow’s photographs I … Continue reading →

Posted in Uncategorized | Leave a comment

Lisa Elmaleh & Brandon Thibodeaux at Candela Gallery + Books

Posted on March 16, 2014 by Douglas Barkey

Candela Gallery currently features a pair of exhibitions of portraits that explore two different communities. Lisa Elmaleh used a large format tintype camera to make studied portraits of folk musicians in the Appalachian Mountains, while Brandon Thibodeaux photographed  individuals in … Continue reading →

Posted in Creativity and Photography, Fine Art Photography, Photographic Technology, Photography | Tagged , , , , , , , , , , , , , , , , | 1 Comment

Michael Snow – Disrupting the Suspension of Disbelief, Part I

Posted on March 2, 2014 by Douglas Barkey

Part 1: Simultaneous compression. When we pick up a camera and frame a composition in the viewfinder, we do so with a number of key assumptions about what happens when we press the shutter button and capture an exposure. A … Continue reading →

Posted in Creativity and Photography, Fine Art Photography, Photo Criticism, Photographic Technology, Photography, Uncategorized | Tagged , , , , , , , , | 2 Comments