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Tag Archives: Michael Snow
Michael Snow – Disrupting the Suspension of Disbelief, Part I
Part 1: Simultaneous compression. When we pick up a camera and frame a composition in the viewfinder, we do so with a number of key assumptions about what happens when we press the shutter button and capture an exposure. A … Continue reading →
Posted in Creativity and Photography, Fine Art Photography, Photo Criticism, Photographic Technology, Photography, Uncategorized
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Tagged composition, creative process, digital photography, Douglas Barkey, fine art photography, Michael Snow, Philadelphia Museum of Art, photography and culture, photography criticism
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